2013-14
1.Eleni Tavelidou: Study of the effect of the rotating acoustic panels to the acoustic behavior of the Music Lab Studio Acoustics Technology DMS / UOA (supervisor: Ch.Spyridis)
2. Christos Vlachos: Library of processed rock electric guitar samples in ACIDWAV and RX2Format (supervisor: Ch.Spyridis)
3.Thanos Nikolopoulos: Sound Library of Rock vocals (supervisor:Ch.Spyridis)
4. Joanna Zioga: Cognitive and analytical approaches (supervisor: Ch. Anagnostopoulou)
2014-15
5.Christina Karpodini: Acoustic ecology and soundscape composition: technical and aesthetic approach (supervisor: A. Georgaki)
6. Liana Gkiozou: Acoustic ecology and creative learning: the birds as a mean of musical perception (supervisor: A. Georgaki)
7.Vrez Chatsatourian: Resynthesis of memory soundscapes: One hundred years since the Armenian genocide (supervisor: A. Georgaki)
2015-16
8.Despoina Gkogkou: Music education within interactive whiteboard (supervisor: Ch. Anagnostopoulou / Sm.Chrysostomou)
9. Constantinos Sambanis: The epistemology of musical improvisation (supervisor: Ch. Anagnostopoulou).
10.Konstantinos Saivanidis: Cicada whisperer: an interactive application for the rhythm of the cicada (supervisor: A. Georgaki)
11.Giorgos Matsaggou: Online music performance through MusiNet (supervisor: Ch. Anagnostopoulou / Ch. Alexandraki)
12. Telemachus Kotsis: Digital Library of Ancient Lyra samples (supervisor: A. Georgaki / St. Psaroudakis)
13.Kleoniki Chryssanthakopoulou: Vocal style in singing: Technical, acoustic analysis and aesthetical approach (supervisor: A. Georgaki)
14.Eirini Makri: The influence of emotions in singing voice: acoustic analysis and evaluation (supervisor: A. Georgaki)
15.Anthoula Nikolaki: Acoustic study of voice directivity in the ancient theater of Argos (supervisor: A. Georgaki / C. Kampourakis, EMP)
16.Petros Papoulias: Vocal training in concervatories using new technologies in order to improve pitch accuracy (supervisor: A. Georgaki)
17.Stafroula Boti: The boomwhackers as a technological tool to address violence in schools in the first adolescence through music. (supervisor: Ch. Anagnostopoulou and / Sm. Chrysostomou)
18.Ioanna Panagatou:Cognitive aspects of the functionality of music in cinema (supervisor: Ch. Anagnostopoulou)
19.Antonis Avgoulas: Blues guitar improvisation and social psychology (supervisor: Ch. Anagnostopoulou).